Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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DOU, Gerrit
Portrait of a Woman

ID: 18997

DOU, Gerrit Portrait of a Woman
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DOU, Gerrit Portrait of a Woman


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DOU, Gerrit

Dutch Baroque Era Painter, 1613-1675 Dutch painter. The first and most famous member of the group of artists referred to as the LEIDEN 'FINE' PAINTERS, he specialized in small-format paintings, the details and surfaces of which are carefully observed and meticulously rendered. He was greatly praised as a painter of artificial light by Samuel van Hoogstraten in 1678, and he was responsible for popularizing both the night scene and the 'niche' format, pictorial devices ultimately derived from the art of his famous master, Rembrandt.   Related Paintings of DOU, Gerrit :. | Old Woman Reading a Bible dfg | Officer of the Marksman Society in Leiden (detail) sd | Young Mother sdg | Portrait of an Old Woman df | Officer of the Marksman Society in Leiden fg |
Related Artists:
John emms
1843-1912
BROEDERLAM, Melchior
Netherlandish Gothic Era Painter, ca.1355-1411 South Netherlandish painter. Broederlam's family, long-established in Ypres, provided three aldermen for the city and sided with the French Counts of Flanders against the Flemish populace. After a training that may have included contact with Jan Boudolf in Bruges before 1368 or Paris after 1370 and an extended visit to Italy, the artist became, by 1381, an official painter of the reigning count, Louis de M?le (reg. 1346-84), painting leather chairs, pennons and banners. On 13 May 1384, directly after Louis's death, he was appointed a valet de chambre to the count's heir, Philip the Bold, Duke of Burgundy.
John French Sloan
(August 2, 1871 - September 7, 1951) was a U.S. artist. As a member of The Eight, a group of American artists, he became a leading figure in the Ashcan School of realist artists. He was known for his urban genre painting and ability to capture the essence of neighborhood life in New York City, often through his window. Sloan has been called "the premier artist of the Ashcan School who painted the inexhaustible energy and life of New York City during the first decades of the twentieth century",and an "early twentieth-century realist painter who embraced the principles of socialism and placed his artistic talents at the service of those beliefs."






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